Archives: calls for submission

Music for making love to ghosts

A Walt Whitman poem says, “And to die is different from what any one supposed, and luckier.”

I’ve always misheard that as “To die is luckier than any of us know, and stranger.

Because how could it not be?

I don’t pretend to have any insight into what an actual afterlife might be like, but when I’m writing ghosts, I try to keep its potential strangeness in mind. Not in a bad way, necessarily; it could be a lucky and fortunate strangeness. But I’m pretty sure sex with ghosts would be something very different from sex with human beings. A matter of odd geometries and invisible contours, the texture and taste of a non-biological intimacy. It would have to be at least a little scary, and probably wistful too.

A song that perfectly captures this mixture of whimsy and weirdness–incidentally, the perfect soundtrack to Bodies of Ghosts, even though it wasn’t released until after I had completed and submitted the story to Mofo–is Seeming’s “Phantom Limb”:


Incidentally, Seeming also has a song called “Stranger” that makes the process of becoming different sound pretty lucky (though it’s much more about life than death). And at times weirdly, wonderfully erotic.

And if you’re looking for inspiration for Mofo’s current call, Apocalypse (how would you fuck if the world was ending?), you might want to check out “Goodnight London.”


Read Bodies of Ghosts free:

Mofo Website






Get Haunted:

Mofo Website





Erotic Flash Fiction Publishers: A Non-Exhaustive List

Sometimes you just want to skip to the good parts. Because you’re impatient. Because you’re revved up and ready to go. Because sometimes instant gratification is sexier than any tease.

Because when a story is focused on a single idea, act, or scene, it has room to explore more depths than a bigger piece with a lot to cover. Because a brief story honed to a knife’s edge of eroticism can haunt you longer than a novel. Because a flash fic can be the written equivalent of a porn gif, and we fucking love those.

Because stories are stories, and we fucking love those, and the shorter the stories are the more we can devour.

This goes for writers as much as readers. I love to write flash fiction for the same reasons I love reading it, in all my impatient, curious, prying, pulsing, greedy glory.

So this list of Erotic Flash Fiction publishers is meant to appeal to both readers and writers. It’ll talk a bit about the style of each publication, and then provide information for submitting to it. It’s based on my personal notes. Erotic short fiction is a fast-moving market, with new places opening every year and some classics shutting their doors far too soon. These are all open to read and/or submit to at the time of this post’s publication. In the interests of full disclosure (and yeah, a bit of self-promotion), I’ll mention if I’ve been published at a particular market, but don’t read anything into this. I mean, the places that have published me are fucking awesome and you should totally check them out. But check out the others, too.

Some markets pay money, and some pay only in exposure. All accept stories <1000 words, but some also accept and even prefer longer short stories. Some also take poetry. Many publications showcase erotic fiction alongside art, photography, and video, so be forewarned not all linked sites are SFW. In fact, assume that they’re not.

Bright Desire: Among its feminist, sex-positive subscriber content, Bright Desire posts fiction about once a month. The editor says, “I’m looking for stories that are more than just a sex scene. Blow-by-blow accounts of sex are boring. I want to see stories with interesting scenarios and fascinating characters; stories that explore the issues and emotions surrounding sex.”

Payment is $15 for flash fiction <500 words, $25 for short fiction 500-2000 words. Full guidelines are here:

I’ve sold three stories to Bright Desire:  “Her Perfume” (f/f),“For Myself” (masturbation),  and”If You Were My Lover” (hard to classify).

For the Girls: High-quality short and flash fiction featured once a month. “[S]uccinct, erotic pieces that successfully get an idea across in a small number of words. Cleverness is encouraged, as is out-and-out dirty hotness.” Also, “Stories can cover any topic, however it must be erotic in nature, relatively explicit, sex positive and be written expressly for female readers. Female protagonists are preferred.”

Payment is $15 for flash fiction from 300-500 words and $25 for erotic fiction up to 2000 words. The guidelines are very similar to Bright Desire (both are edited by Ms. Naughty), but they are different websites.  Full guidelines are here:

Bust: There’s nothing quite like getting your smut in a glossy magazine, in between interviews with trailblazing women, fashion photography, and articles on everything from pop culture to feminist wedding planning. Bust’s “One-Handed Read” section features cliche-busting hotness between 800-900 words (stories longer than 900 words are accepted, but will be cut down to size during their thorough editing process). Pay numbers aren’t listed in the website but from the experience of writers who have worked with them (including yrs truly), it’s a $50 gig, plus a gorgeous and thought-provoking contributor’s copy.

Details for writing for Bust–not only erotic flash but nonfiction articles as well–are here:

My femdom story “Breakfast Time” appeared in the August/September 2016 issue. 

Nerve: How does one begin to describe Nerve? Check out their Fiction and Experiences tabs for the erotic, bold, and intriguing.

If you’ve got work of your own to share, Nerve takes 300-2500 words through their Nerve Writers Network membership application. Pay is $300 provided the article gets 40,000 unique visitors in a month. Writers should also provide an image to which they have the rights to post alongside the story.

I appeared in Nerve in October 2015 with “A Tender Thing,” another femdom piece.

Aotearotica: This print journal offers “a clever, modern and stylish erotica and work exploring sex, sexuality or gender expression, with a preference for a distinct New Zealand flavour. ”

Payment is NZD$50 and a contributor’s copy for fiction, creative non-fiction, poetry, art or graphic narratives. Written work <3000 words. To submit or order a copy, see:

Peach Fuzz: A print zine combining illustrations (paintings, comics, digital graphics, and more–though photoshoots are done in-house) with writing that need not be “strictly sexual in nature, anything pertaining to the human condition will be considered. We want your smutty editorials, erotic flash fiction, research-based articles, thoughtful op-eds, long verse poetry, and haikus about your first butt plug.”

Pay is $20 for 500-1500 words, $30 for 1500+ words (including research-based articles). For details and to order copies, see:

Lascivity: With the tagline “Refined Perversion,” this website offers erotica as well as nonfiction guides to everything from cleaning sex toys to slapping your lover safely and true stories.

Pay: unknown (likely exposure). To read or submit, see:

Omnia Vanitas Review: I can’t put it better than they do themselves:

“Send us your work : your sexiest, silkiest, naughtiest work : your full manuscripts : your short stories : your poetry : your love letters you ought to have burned : your multi-media projects with thought-provoking titles : your naughty pictures : your movies : your website, so we can become bedfellows.

 Send us YOU. 

I want bodies on paper.”

However, this appears to be an unpaid credit (except for exposure on the website) and there is a reading fee for stories longer than 5,000 words. This is what makes me think of it as a market mainly for short-short fiction. For more information and to read the online issues:

Circlet Microfiction: This publisher of erotic science fiction and fantasy publishes short-short stories of 250-1000 on its blog. “Microfictions should be sex-positive. literary quality, and although they may be explicit should be tastefully written.” Their focus is on sf/f more than horror, but they do publish a special round of stories around Halloween. Pay is $5 per microfiction. For submission guidelines, see:

I’ve had several microfictions published on Circlet’s website. You can read them here

Cliterature Journal: This erotic journal with a timeless title releases issues on themes including everything from “Voice” to “Technology” to “Sisterhood” to “Patriarchy.” They take submissions of prose, poetry, and nonfiction up to 10 pages. Compensation is exposure. See guidelines:

Cliterature: A similar title but different aesthetic, this website publishes fiction not in issues but in tagged categories. Check ’em out:  (Like the other Cliterature, compensation is in exposure, though no length guidelines are given)

Math Magazine: If you’re having algebra flashbacks, fear not: this is a “playful & provocative print quarterly for adults” out of Brooklyn. The deliberately bland cover is a tribute to old-time porn that had to be discreet on the newstand.

If you’re having algebra flashbacks, and it’s turning you on, maybe you should write for them. But submissions need not be arithmetically inclined. In any event, check Math out here:

Body Parts Magazine: Eros and Thanatos combine in this magazine that embraces the speculative, the surreal, the erotic, the horrific. They publish flash fiction as well as short stories up to 8,000 words, plus essays, interviews, artwork, and photography. Take note of their issue themes–Alchemy, Grave Robbing, Metempsychosis, and more–and view their submission guidelines here:  Payment goes from $5-$20 depending on category and length.

Bare Back Magazine: Their mission statement says “The human back is a reflection of the soul.  It is our vision that, a back that is bare tells a story, is strong, and is sexy.  It is our mission to feature stories, poetry and art that reflects this vision.” They have online archives of both fiction and poetry. Pay is $3 per story for stories from 800-2000 words; $1 per poem. Guidelines here:

Honeydew Erotic Review: This deliciously named magazine releases themed issues of work that’s “hard, …dark (grey), and we like it pretty damn spicy.” Feminist and LGBTQ welcome.  Also, though they like it “dark,” “Happy endings are good.” Length of story not specified, so long as there’s a clear beginning, middle, and end.

Compensation is $5 per story. See details:

Pink Litter: Editor Misty Rampart says, “Our project is an attempt to marry what some might call “beautiful” and what still others might call “obscene.” ” Both poetry and flash fiction are accepted. Payment appears to be through exposure, facilitated by a 30 word author bio with social networking links, which should be included in your submission.

Horror Sleaze Trash: This website combines videos and poems, stories, interviews, reviews, art/photography. You can also buy a hat.

Send that in (the stories and so on, not a hat), along with an author bio. Re: compensation, “I cant pay you cause no cunt ever paid me.” Check them out at: 

Heather: A digital, tri-annual literary magazine publishing fiction & flash fiction, prose poetry, creative non-fiction, digital art. Erotica should be female-focused. “Heather is your friend. Heather is your girlfriend. Heather is your girlfriend’s girlfriend. Heather is leaning against the wall at your neighbor’s house party. Heather is next to you in bed, naked.” Submit here:

Please note two things: first, the website for Heather is (the other Heather Magazine is “an Australian online publication championing women in music.” Which is also awesome). Second, the editor-in-chief’s name is Kelsey, not Heather.

Erotic Review: A nonprofit “literary lifestyle publication about sex and sexuality aimed at sophisticated, intelligent readers” that’s been running since 1995. The website is just its latest incarnation, and publishes reviews, articles, and videos alongside fiction. As a nonprofit, it’s an unpaid publication credit. See guidelines at: “

Upcoming stories

My cup overfloweth. Contracts are signed, edits are underway, and I just discovered that I’ll be sharing the tables of contents in two upcoming anthologies with some very excellent people.

Your cup might overflow as well, dear reader, because in each of these anthologies I have two stories.

In MoFo’s third anthology, Religion (originally Sacrilege), my stories are kind of different from each other, but between them cover plenty of my Roman Catholic influences.

“Deliver Us” is about what happens when you get exposed to bondage through B-movies about exorcisms, and your girlfriend is an ex-Catholic who once wanted to be a priest.

(When your boyfriend did become a priest and you want to rescue him from his decision, you get A Last Touch of Grace. Comparing that story in 2016 to these stories in 2017 probably reveals something interesting about my spiritual journey.)

“Annunciation” is a semi-autobiographical novella in flash about growing up queer in the Catholic Church. Novella in flash might be a slight exaggeration, but I’ve recently fallen in love with the form and its cousins after reading Sylvia Brownrigg’s Pages for Youeven if I didn’t manage a “true” novella of the appropriate length and independence of the composite flash pieces, it was fun experiment. The format might also be influenced by the 5 + 1 fanfiction genre, in which case we have “Five times I* believed lies the Church told me about gender and sexuality and one time I figured it out,” I guess, or maybe “Five times I really missed the fact that I was queer and the realization(s) that put me right.” Not only was “Annunciation” fascinating to write (I said these stories “covered a lot of my Roman Catholic influences,” but what I learned most is how much is left to uncover), I also got a little angry. In “Deliver Us,” too. That seemed to fit MoFo’s call, which includes “a preference for Catholicism—the eroticism and hypocrisy are built right in.”

The narrator of “Annunciation” first identifies the androgynously-illustrated Gabriel as female, “So to me, the Annunciation was always a matter of two women together in a bedroom. “

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“She knew what he’d brought”: Updates 4/19/17

The paperback of MoFo Pub’s Wanderlust anthology is now available from Amazon. That gorgeous cover will look great on your shelves (something about photography and hot pink lettering does things to me, okay?) and even better open in your lap. While you read it. Which you’ll thank yourself for.

This is the one featuring my story “Soft, Rough.”

But the MoFo goodness doesn’t stop there. “My Body is a Haunted House”–an f/f story that takes its title from C.S. Lewis, yes really–will be one of the stories in Hotel, the second volume of the Mofo Pubs Presents series. The ebook is currently available for preorder before its June 25th release.

If reading these stories gets your imagination going, MoFo has two current calls for submissions: Religion, closing April 30, and Haunted, closing August 5. Speaking, I guess, of C.S. Lewis and haunted houses (okay, I modified his quote–originally in A Grief  Observed, he compared his body to an empty house. The larger point stands. The larger point being that grief is a bodily experience as much as an emotional one, and also I hold nothing sacred).

Best Women’s Erotica of the Year Author Interviews

I just realized how much I have to catch up on, posting-wise, from those long and dreary months I spent without a website. And there’s a whole sob story about what else was going on that getting the new website up wasn’t a priority for me, but who needs to hear that? Sob stories aren’t that sexy.

Well, they can be.

You're trembling, and aside from those delicious, involuntary shudders, you don't move. from T.C. Mill,

Eroticism and grief, loss, and tragedy are kind of a thing for me. Hauntings–supernatural or psychological–appear again and again. I’m struck by the kind of intimacy you can or can’t have with the past, what forever eludes your touch. There’s also the intensity, the whole-body experience of each emotion, idea, and sensation. It’s why Shakespeare’s tragedies are so beautiful. It’s also why grieving people may suddenly find themselves powerful. The grief story that resonates most strongly with me is: “I just went and stood there, sort of trying out my anger against theirs, I guess. And mine won.”

Or as the narrator of “Phone Call, 3 a.m.” puts it:

Grief and fear are rare aphrodisiacs. Deep mourning isn’t, and depression certainly isn’t. Anxiety makes you clammy and numb inside or makes you let loose recklessly. In my experience merely anxious sex has always felt somehow cheap. But grief unlocks something. Maybe it strikes so deep that it gives us permission to feel. It excuses us. Or makes us so desperate that we’ll have anything in place of the loss.

Anyway, what I was getting to when I started this post is that I forgot to share here when my author interview went up on Best Women’s Erotica of the Year’s Tumblr page. On the other hand, waiting until now to post about it means I can share the complete set of author interviews from all 21 contributors; you’ll find them under the tag for Best Women’s Erotica of the Year, Volume 2. They’re all fascinating, and I think you’ll love the chance to hear about the inspirations for these stories, read each author’s favorite lines, and find out what’s coming next!

If you’re interested in being part of the series yourself, the call for Volume 4 is up, seeking themes of “outsiders and risk.”


New Release–Wanderlust: a Literary Erotica Anthology

“Turn-ons include well-placed commas, devastating allusions, ten-dollar words, social commentary, moral ambiguity, alliteration.” As soon as I read the description on the website of MoFo Pubs, I knew this was somewhere I wanted to submit (fiction, that is).

The best turn-ons, the kind that weave the strongest spell, are those that engage your brain as well as your body, that serve up sensuality with flair. Such is what I try to deliver. I don’t see “literary erotica” as an oxymoron. For all the beliefs, emotions, sensations, anxieties, and rites of passage surrounding sex, it’s a strong contender for the most literary of topics. It certainly beats out taxes, though not necessarily death…

…and it may tie with travel. Discovering new places, or leaving the old ones behind; a hunger for different sights or sounds or tastes; short transactions or deeper exchanges with strangers you might never see again. And then there’s the logistics: carrying your baggage or finding somewhere to put it or forgetting it entirely, hoping your transportation doesn’t come to a halting crash, considering the sense of relief you might feel it it does–there’s a lot going on and going into your average case of Wanderlust.

I’m very excited to be part of this anthology for my first publication of 2017.

Read an excerpt from my story, “Soft, Rough,” under the cut

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